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Showing posts with label 1957 Films. Show all posts
Showing posts with label 1957 Films. Show all posts

Saturday, November 12, 2016

Paying Guest (1957)

Paying Guest is a 1957 Bollywood film directed by Subodh Mukherjee. The film stars Dev Anand and Nutan along with Shubha Khote.

The soundtrack, composed by Sachin Dev Burman, received a degree of popularity and made a lasting impression. The lyrics were written by Majrooh Sultanpuri. Paying Guest was the second hit film of the team of Mukherjee, Hussain, Dev Anand and S. D. Burman, who had combined two years earlier to make the successful Munimji.


Contents


  • 1 Plot
  • 2 Contrasting views
  • 3 Cast
  • 4 Sweet melody
  • 5 Music
  • 6 External links


Plot 


Paying Guest” is about a struggling lawyer (Ramesh), who falls in love with his landlord's daughter, wins her heart only to lose her faith from a misunderstanding and eventually saves her from a murder charge. Nutan (Shanti) and Shoba Khote (Chanchal) have little love lost between them following a college debate that evokes contrasting views from them – Shanti prefers love over money. To prove her point, Chanchal marries a wealthy lawyer Dayal (played by Gajanan Jagirdar) but comes to grief when her husband finds little time for her. Chanchal hatches a plot with Prakash, Shanti's alcoholic brother-in-law (Yakub), to eliminate her husband. Shanti is implicated before Ramesh plays the saviour's role on predictable lines. The movie ends with the two uniting against a conspiring Chanchal and Prakash. 

The pace of the movie, directed by Subodh Mukerji, and the story, by Nasir Husain, are nothing to rave about but the same cannot be said of the music.


Contrasting views


Dev Anand is the paying guest in this film but Nutan it is who holds the key, literally, to the success of this romantic comedy. Every time the movie threatens to meander from the planned path, she restores quality with her vibrant presence. The close-up shots capture her pristine beauty even as Dev Anand competes to match her acting talents during one-on-one situations. Nutan emerges a winner by miles. Dev Anand, at 34, was a ‘veteran' of more than 40 movies and established star when “Paying Guest” was released. Nutan, barely 21, was new to the industry but not a novice, having won the Filmfare Award for “Seema”, a moving portrayal of an orphan who finds her way after immense struggle. “Seema” had given early indications of Nutan's commanding skills as an actor and the commercial success of “Paying Guest” was a confirmation of the fact that she could carry a movie on her own despite a weak plot.




Cast


  • Dev Anand as Ramesh Kumar
  • Nutan Behl as Shanti
  • Gajanan Jagirdar as Dayal
  • Sajjan as Jagat
  • Shubha Khote as Chanchal
  • Gani
  • Dulari as Uma
  • Rajendra
  • Chaman Puri
  • Sailen Bose
  • Gitanjali
  • Master Bapu
  • Yakub as Prakash


Sweet melody


With a composer like Sachin Dev Burman and lyricist like Majrooh Sultanpuri, one can expect nothing but melody at its sweetest. 

Dev Anand did not have Mohammad Rafi as his background voice in this movie. Kishore Kumar had begun to share the stage, giving Dev Anand some hits in “Nau Do Gyarah”, released the same year as “Paying Guest”. The year also featured Dev Anand and Nutan as the leading pair in “Barish”, a forgettable movie, but “Paying Guest” made an impact on the audience, thanks to Nutan and Sachinda's music.

The actor refers to the movie when he writes in his autobiography about ‘O Nigaahen Mastana', a duet by Kishore and Asha Bhonsle

“The audience had swooned over both of us, as I had on Nutan!” wrote Dev Anand in his autobiography. 

Another duet, ‘Ah Chhod Do Aanchal Zamana Kya Kahega' brings out the best out of Nutan – and Asha. You warm up early in the movie to Kishore singing ‘Mana Janab Ne Pukara Nahi' with Dev Anand riding a cycle, trying to woo Nutan. There is another solo by Kishore, ‘Hai Hai Hai Yeh Nigaahen' before Burman opts for Lata Mangeshkar to sing the memorable ‘Chand Phir Nikla', easily the pick of all the numbers, an evergreen composition that figures among her personal best.

Dev Anand and Nutan make a delightful pair to dominate the movie and create entertaining fare. But Nutan steals the show with her impeccable performance.


Music


#TitleSinger(s)LyricistLength
1Chand Phir NiklaLata MangeshkarMajrooh Sultanpuri4:43
2Chhod Do Aanchal Zamana KyaKishore Kumar, Asha BhosleMajrooh Sultanpuri4:12
3Chupke Chupke RukteLata MangeshkarMajrooh Sultanpuri2:21
4Haaye Haaye Ye NigahenKishore KumarMajrooh Sultanpuri4:37
5Mana Janaab Ne Pukara NahinKishore KumarMajrooh Sultanpuri4:16
6O Nigahen MastaanaKishore Kumar, Asha BhosleMajrooh Sultanpuri3:47



External links



Pyaasa (1957)

Pyaasa (Hindi: प्यासा Pyāsā, meaning "Thirsty") is a 1957 Indian film produced by, directed by, and starring Guru Dutt. The film tells the story of Vijay, a struggling poet trying to make his works known in post-independence India, and Gulabo, a prostitute with a heart of gold who eventually helps him get his poems published. The music was composed by S.D. Burman.

With the commercial success of thrillers like Baazi, Jaal, Aar Paar and CID as well as comedies like Mr. & Mrs. '55, Guru Dutt and his studio were financially secure and established. From 1957, he could now make movies he really wanted to make, including Pyaasa. In 2002, Pyaasa was ranked at No. 160 on the Sight & Sound critics' and directors' poll of all-time greatest films. In 2005, Pyaasa was rated as one of the 100 best films of all time by Time magazine, which called it "the soulfully romantic of the lot." Indiatimes Movies ranks the movie amongst the Top 25 Must See Bollywood Films. On the occasion of Valentine's Day 2011 Time magazine has declared it as one of the top 10 romantic movies of all time.


Contents


  • 1 Plot
  • 2 Production
  • 3 Cast
  • 4 Memorable quotes
  • 5 Music
  • 6 The film then and now
  • 7 Restoration
  • 8 Related films
  • 9 External links

 

Plot


Vijay (Guru Dutt) is an unsuccessful poet whose works are not taken seriously by publishers or his brothers (who sell his poems as waste paper). Unable to bear their taunting that he is a good-for-nothing, he stays away from home and is often out on the streets. He encounters a good-hearted prostitute named Gulabo (Waheeda Rehman), who is enamoured with his poetry and falls in love with him. He also encounters his ex-girlfriend Meena (Mala Sinha) from college and finds out that she has married a big publisher Mr. Ghosh (Rehman) for financial security. Ghosh hires him as a servant to find out more about him and Meena. A dead beggar to whom Vijay gave his coat and whom he tries to save unsuccessfully from the path of a running train is mistaken for Vijay. Gulabo goes to Ghosh and gets his poems published. Ghosh does so feeling he can exploit the poems and make a killing. The poems are very successful. However, Vijay is alive and in the hospital after the train mishap.

Ghosh and Shyam, Vijay's close friend, refuse to recognise him and he is committed to a mental asylum since he insists he is Vijay and is thought to be mad. Vijay's brothers too are bought off by Ghosh not to recognise him and a memorial is held for the dead poet. Vijay with the help of his friend Abdul Sattar (Johnny Walker) escapes from the mental asylum and reaches the memorial service where he denounces this corrupt and materialistic world. Seeing that Vijay is alive his friend and brothers take side with a rival publisher for more money and declare this is Vijay. At a function to honour him, Vijay becomes sick of all the hypocrisy in the world around him and declares he is not Vijay. He then leaves with Gulabo to start a new life.


Production


In the original ending Guru Dutt wanted to show that Vijay left all alone but on the distributors' insistence the ending was changed. The film was originally titled Pyaas (thirst), but Guru Dutt later changed it to Pyaasa to better describe the film.

The role of Shyam was originally to be played by Guru Dutt's real life friend, Johny Walker but was then assigned to one of Guru Dutt's assistant directors. Guru Dutt wanted to film red light area scenes on locations in Kolkata (then Calcutta) but the crew was attacked by a group of pimps. Guru Dutt however recreated sets on the basis of photos taken at Kolkata.

It is also surmised that the story is based on the life of film's lyricist Sahir Ludhianvi who had failed affair with poet and writer Amrita Pritam .


Cast


  • Guru Dutt as Vijay
  • Mala Sinha as Meena
  • Waheeda Rehman as Gulab – This was her first major leading role in Hindi cinema.
  • Rehman as Mr. Ghosh
  • Johnny Walker as Abdul Sattar
  • Leela Mishra as Vijay's mother
  • Kumkum as Juhi
  • Shyam Kapoor as Shyam
  • Mehmood as Vijay's brother
  • Tun Tun as Pushplata
  • Moni Chatterjee as Chatterjee


Memorable quotes


  • Vijay: Apne shauk ke liye pyaar karti hai aur apne aaram ke liye pyar bechti hai. [She loves for a hobby and trades it for her comfort.]
  • Vijay: To phir main yahan kya kar raha hun. Main kyon zinda hun, Gulab? [What am I doing here? Why am I alive, Gulab?]
  • Vijay: These smiling flowers, these fragrant gardens, this world filled... with glorious colours. The nectar intoxicates bees. What little have I to add to this splendor... a few tears, a few sighs.
  • Vijay: ...I'm not that Vijay
  • Vijay: Jab Hum Chale Toh Saaya Bhi Apna Na Saath De, Jab Tum Chalo Zameen Chale Aasman Chale, Jab Hum Ruke Toh Saath Ruke Sham-e-bekasi, Jab Tum Ruko Bahaar Ruke Chandni Ruke (When I walk, even my shadow doesn't give me company; when you walk, the earth and the skies stroll with you. When I stop, stays with me the evening of helplessness; when you stop, halts with you both spring and moonlight...)

Music


The movie boasts one of the best performances of S.D. Burman, Sahir Ludhianvi, Geeta Dutt and Mohammed Rafi to produce one of the most lyrical Hindi musicals. Pyaasa marked the last collaboration of the long-lasting team of composer Burman and lyricist Ludhianvi.

#TitleSinger(s)LyricistLength
1Tang Aa Chuke Hain Kashm-e-Kashe Zindagi SeMohammad Rafi Sahir Ludhianvi4:23
2Jinhen Naaz Hai Hind ParMohammad RafiSahir Ludhianvi6:06
3Ye Hanste Huye PhoolMohammad Rafi Sahir Ludhianvi7:50
4Ye Duniya Agar Mil Bhi Jaye To Mohammad Rafi Sahir Ludhianvi5:08
5Sar Jo Tera ChakrayeMohammad Rafi Sahir Ludhianvi4:33
6Jane Woh Kaise LogHemant KumarSahir Ludhianvi4:49
7Jaane Kya Tune KahiGeeta DuttSahir Ludhianvi4:10
8Ham Aapki Aankhon MeGeeta Dutt, Mohammad RafiSahir Ludhianvi5:42
9Aaj Sajan Mohe Ang LagaloGeeta DuttSahir Ludhianvi4:56

Music expert Rajesh Subramanian reveals that Guru Dutt wanted Rafi to sing "Jaane Woh Kaise Log". But Burman had decided to record it in Hemant Kumar's voice. A major argument took place between the director, composer, writer Abrar Alvi and Geeta Dutt. Finally Dutt, who remained unconvinced, had to give in to the pressure.

In 2004, the soundtrack for Pyaasa was chosen as one of "The Best Music in Film" by Sight & Sound, the British Film Institute magazine.


The film then and now


  • There was a debate between writer Abrar Alvi and Guru Dutt on film's ending. Abrar wanted the protagonist to accept and compromise with the prevailing material social reality; Guru Dutt insisted otherwise.
  • Song 'Sar jo tera chakraye' composed by S.D Burman was based on a tune from British Movie 'Harry Black', which was later released in India as 'Harry Black and The Tiger'. S. D. Burman was initially not happy in copying a western tune "but later changed it so well that when the producer of the 'Harry Black and the Tiger' visited India, he heard the song and not only failed to recognize the tune, but commended Dada on it' Abrar laughs."
(Source: ‘Ten Years with Guru DuttAbrar Alvi’s Journey’ an authorised biography by Sathya Saran, Pages 71 and 72)
  • Pyaasa was to be made with actresses, Nargis Dutt and Madhubala in the roles Mala Sinha and Waheeda Rehman played eventually. But the two actresses couldn't decide which role they wanted to play and Guru Dutt eventually opted for two then new actresses, Mala and Waheeda.
  • Guru Dutt wanted Dilip Kumar to play the leading role in the movie, which the tragedy king declined. Guru Dutt himself played and movie went on to become one of the most commercially successful movies of the year.
  • The popular song "Hum aapki aankhon mein" was added to the movie on behest of distributors to bring some relief in rather pessimist film. It was never planned in original cut.
  • After a slow opening, Pyaasa went on to be a major commercial success of the year. This gave Guru Dutt the confidence to make a repeat on a grand scale. However, Kaagaz Ke Phool went on to be a commercial disaster. Ironically, the movie picked up a cult following world over in 1980s much after Guru Dutt died.
  • Waheeda Rahman's role in Pyaasa was based on a real life character. Abrar Alvi and his friends were visiting Bombay and they decided to visit the red light area. Alvi got talking to a girl who called herself Gulabo. According to Alvi " As I left, she thanked me in a broken voice, saying that it was the first time that she had been treated with respect, in a place where she heard only abuses. I used-her exact words in the film"
  • Guru Dutt and his movies, including Pyaasa, have a large cult following in France and Germany. It was a huge commercial success during its 1984 French Premiere, ironically something Guru Dutt never witnessed during his lifetime. Since then, the movie has been screened to huge mass appeal world over, like the recent screening at The 9th International Festival of Asian Cinema held in Vesoul, in February 2003,
  • Is a Time top 100 movie of all times
  • Is a Time readers choice top 10 movie of all times.


Restoration


This film is restored & digitized by Mumbai-based Ultra Media & Entertainment. As per the report, the original camera negative had come to them from the archives completely melted, with parts damaged or lost. Their biggest challenge was the flickering. Every frame was at a different angle and there was no stability. After several clean-ups, they managed to retrieve the actual content from the original camera negative but it lacked clarity and depth. 45 restoration experts worked for almost 4 months over 2 lac frames. The original monaural soundtrack remastered at 24-bit from the 35 mm optical soundtrack. The company sent it to the 72nd Venice International Film Festival held in 2015 where it competed with 20 other films and was selected to be screened as part of the Venice Classics section aongwith 11 other films from all over the world.



Related films


  • The theme of the film is similar to Kishore Sahu's 1943 film Raja.
  • The 1961 Kannada movie Kantheredu Nodu by A. K. Velan had a similar storyline.
  • The film was remade in Malayalam as Kavyamela (1965).
  • The film was remade in Tamil as Devi (1968). Starring Muthuraman and Devika, it was directed by A. K. Velan.
  • Pyaasa was also remade in Telugu as Mallepoovu (1975).


External links





Nau Do Gyarah (1957)

Nau Do Gyarah (Hindi: नौ दो ग्यारह; English: Nine Two Eleven, the Hindi idiom means 'to run away') is a 1957 Hindi film produced by Dev Anand. This was his brother, Vijay Anand's, directorial debut. The film stars Dev Anand, Kalpana Kartik, Madan Puri, Shashikala and Jeevan. The film's music is by S. D. Burman and the lyrics are by Majrooh Sultanpuri.



Contents


  • 1 Plot
  • 2 Cast
  • 3 Soundtrack
  • 4 External links



Plot


The film starts with Madan Gopal (Dev Anand) being thrown out of his house for not paying the rent. He goes to visit his friend, who has been helping him collect his mail, and finds a letter from his uncle, Manoharlal. Manoharlal writes that he is willing eleven lakh rupees (nine lakhs of cash and two lakhs worth of property), to Madan. It was originally willed to his sister-in-law's son, Kuldeep (Krishan Dhawan). After seeing Kuldeep's bad behaviour, though, Manoharlal decides to give the money to Madan.

Madan promptly gets a truck and sets off for Bombay, and on the way, his friend drags him to a wedding. The two discuss the wedding, with Madan saying that if he was in the girl's place, he would run away. True enough, when an eavesdropping friend tells the bride, Raksha (Kalpana Kartik) that the groom, Surjit (Jeevan), she decides to run away and hide in Madan's truck.

Raksha disguises herself as a Sikh boy with the psedonym of Sardar Nihal Singh and hides in his truck. Madan discovers "him" and the two quarrel nonstop, but Madan is compelled to take him along because the boy has money, food and water. The disguise soon comes loose and Sardar Nihal Singh is revealed to be a girl. Madan doesn't know her past, but the two of them fall in love, with Madan teasing her on several occasions, calling her a "thief". Raksha, who was unhappy with her marriage, finally finds happiness travelling with Madan.

When the two of them reach Bombay, Madan goes off to see his friend, Radheshyam (Madan Puri), but is informed that Manoharlal has died. A shocked Madan takes out the letter and finds out that it is a few months old. Radheshyam says that all the property has gone to Kuldeep and his mother (Lalita Pawar).


Cast


  • Dev Anand as Madan
  • Kalpana Kartik as Raksha  
  • Shashikala as Neeta
  • Jeevan as Surjit
  • Madan Puri as Radhey
  • Lalita Pawar as Kuldeep's mom
  • Rashid Khan as Kuldeep's servant 
  • Krishan Dhawan as Kuldeep
  • Baby Lata as Kamla
  • M.A. Latif as Raksha's Father


Soundtrack


#TitleSinger(s)LyricistLength
1Hum Hai Rahi Pyar KeKishore KumarMajrooh Sultanpuri4:50
2Aankhon Mein Kya JeeKishore Kumar , Asha BhosleMajrooh Sultanpuri4:39
3Kali Ke Roop MeinMohammad Rafi , Asha Bhosle Majrooh Sultanpuri5:10
4Kya Ho Phir Jo Din Rangeela HoAsha Bhosle , Geeta Dutt Majrooh Sultanpuri4:32
5O Soja Nidiya Ki Bela Hai Mohammad Rafi , Asha BhosleMajrooh Sultanpuri2:41
6Dhalti Jaye Chunariya HamariAsha Bhosle Majrooh Sultanpuri3:04
7Dekho To Idhar Hai HaiAsha Bhosle Majrooh Sultanpuri3:05
8See Le ZubanGeeta Dutt Majrooh Sultanpuri5:10


External links